The article below, written by the Order of the Magi’s past editor Bayard Grimshaw, has been reproduced from “Magi Magoria” published by Supreme Magic in 1974, and covers a very brief history of Magic in Manchester and of course the Order of the Magi – one of the oldest societies for performing magicians in the world, up until the publication date.
Perhaps, one day, our current members could put together a further article dealing with the history of Magic in Manchester from 1974 to the present date…
MAGIC IN MANCHESTER
(Not just we Magi but also)
Understandably, the origins of Magic are obscure and a matter for speculation. We may assume that among our remote ancestors, as far back as the beginnings of community life, there came to the fore the “wise men”, those whose special knowledge of natural principles enabled them to keep a step ahead of the rest and to astound their fellows by their ability to bring about strange and awe-inspiring results. They would use their power for the common good, or for personal prestige, and perhaps – who knows ? – to amuse and entertain, too.
The first written record of a magical performance as we understand the term today was contained In the Westcar Papyrus, the present whereabouts of which are in doubt: it described a display of Magic given by one Dedi, at the court of King Cheops in Egypt nearly six thousand years ago. Of the precise achievements of the Magi of the Ancient East we know little, though their reputation as wonder-workers has come down to us over the years, and inspired the title of the Order of the Magi.
Of Magic as entertainment during the centuries of the Greek and Roman civilisations we have ample evidence. A Greek writer of the third century has left us a detailed description of a performance of the sleight-of-hand feat known as the Cups and Balls, which, he wrote, “rendered me almost speechless and made me gape with surprise”; the routine he described might pass for one of the present day. Seneca, the great Roman philosopher, wrote of the same feat, and sensibly, wise man that he was, added: “If I get to know how a trick is done, I lose my interest in it”. In those days it was done with round white pebbles and wine-cups, and it was from the name of the latter that the performer came to be known by the Romans as an “acetabularius”.
So it is plausible to assume that the soldiers who garrisoned the Roman fort of Mamucium on the banks of the Irwell may well have been entertained, at times when the rude Brigantes ceased from troubling, by gifted comrades or by itinerant acetabularii. To their days, the first century A.D., we can ascribe the probable beginnings of Magic in Manchester.
As a centre of trade the city must have attracted, especially on market days, many of the travelling “jugglers” who made their way from town to town from the eighth to the sixteenth centuries. Probably such performers as Banks and Richardson in the seventeenth century, and Fawkes, Pinchbeck, Yeates, Comus and Jonas in the early eighteenth, visited Manchester, for they are known to have toured the provinces. Breslaw, the German who achieved such success in England, certainly appeared here several times between 1773 and 1782; so, almost certainly, did Katterfelto and probably too the illustrious Pinetti.
By the time we come to the nineteenth century we have more precise information. Ingleby visited Manchester in 1808; Philippe (Talon) in 1839, Dobler in 1842; the famed Anderson, the “Wizard of the North,” in 1838-39 and again in 1841; Jacobs in 1850 and probably earlier, between 1834 and 1838; while Buck had a “record run” of a hundred consecutive nights in Manchester in 1851. The first Bosco was here about 1857, and Frikell in 1858.
But one instance of Magic in Manchester, looking back a century or so, stands out above the rest: that visit of Robert-Houdin, “father of modern magic”, to the Theatre Royal in 1848. An original playbill, announcing the event, is a treasured possession of the Order of the Magi, and is handed into the care of each new President on the occasion of his installation. “The theatre in this city is immense”, wrote Robert-Houdin in his Memoirs: “It can hold an entire people … Twelve hundred spectators scarcely filled the pit”. And he goes on to devote seven pages to an account of his successful first night.
And so we come to the years of the great illusionists, all of whom visited Manchester on many occasions and attracted huge audiences to the numerous theatres of the city and its surrounding districts. Manchester was not only a stronghold of entertainment but a place of theatrical stores and workshops, the centre of the great Broadhead Tour; it was said that one could lodge in Rumford Street or Brunswick Street and do a year’s work on the halls, travelling back to one’s “digs” each night by tramcar.
The latter years of the last century, and the first decades of the present, were a golden age of Magic; the art, ever popular with the entertainment-loving public, flourished as never before. Most variety bills had their magician, be he merely a front-cloth act with no more of a repertoire than a few card sleights; but the princes of the profession were those who toured a full show, with their lavish publicity and their own scenery, their regiments of well-trained assistants, their floating ladies and their vanishing ladies and their incredible productions and transpositions.
Hartz, Servais Le Roy, Rameses; Devant, Carl Hertz, De Biere, Lingha Singh; Lafayette, Chung Ling Soo, Houdini, Goldin, The Great Carmo – their names spelt glamour and mystery. Their interviews appeared in the press, articles about them in the weekly and monthly magazines. Their advent to a local theatre, heralded by intriguing posters on the hoardings, aroused delicious anticipation: one could hardly wait for the week to come. And their mysteries provided ample material for speculation and discussion for weeks afterwards.
We must not forget that alongside of these “greats” flourished the lesser lights of the concert and the children’s party, the ladies’ evening, the soiree and the conversazione. Such were the majority of the founders and early members of the Order of the Magi. They basked in the limelight touched off by their more famous elder brethren, they were in great demand and their date books were full.
Came the time when the variety theatres reeled under the successive blows of the silent cinema and the “talkies”, radio and eventually television; when recording “stars” topped the bills in the larger of what few Hippodromes and Palaces survived, “strip” shows the smaller, leaving scant space for the stage magician. For a while Dante, Kalanag, Lyle, Murray, Levante and a few more tried to keep alive the tradition of the big magical show in this country. But in the end it was largely left to the magical societies to keep Magic alive.
At the turn of the century magicians from all over the world, and local magicians in particular, amateur and professional, little-known and well known, used to foregather on Sunday afternoons and evenings at the home of Harry Whiteley at 86 Medlock Street. Mr. Whiteley, performer, author and magical dealer, had countless friends in Magic; he was British correspondent of ‘The Sphinx’, the great American magical monthly. Famous illusionists, touring the provinces, would when possible break their journeys in Manchester in order to spend an hour or two at Harry Whiteley’s; others, working within travelling distance, would come over just for the pleasure of spending a short time with kindred spirits.
Such a one was Chung Ling Soo (W.E. Robinson). Believed by all save those in the know to be genuinely Chinese, he was actually born in America, of Scottish ancestry; but he seemed to have a special affection for Manchester, where he had many friends, and for many years he had a store and workshop at Bolton, where his colleague Ritherdon designed and made much of his elaborate apparatus and scenery.
These informal gatherings led to the formation of an equally informal society, “The Friends of Magic;” Soo was the President. Though this association did not directly lead to the formation of the Order of the Magi, it no doubt had an indirect influence, and it was, as far as we know, the first banding together of magicians in the Manchester area.
It was probably at Harry Whiteley’s house that G. W. Panter, M. A. , a keen student of magic a member of the recently formed Magic Circle, met fellow conjurors and, realising their strength, saw the desirability of forming in Manchester a more formally constituted society. At first he consulted with the Council of the Magic Circle, with a view to instituting a northern branch of that body; this was found, for several reasons, to be impracticable. And so, emboldened by news of the success of two magical societies in the U.S.A. , the Society of American Magicians and the Detroit Circle, and two in England, the British Magical Society in Birmingham and the Northern Magical Society – now long defunct – in Liverpool, as well as the Magic Circle itself, Mr. Panter embarked upon the formation of a new society altogether.
An advertisement was placed in the local papers, and a notice displayed in Waite’s magic-shop-cum-barber’s in Peter Street near to the old Tivoli Theatre, inviting those interested to meet on the 11th March, 1909, at the Cities Hotel, Deansgate. About thirty conjurors attended; support was assured, and with enthusiasm the new Society was duly formed. Mr. Panter was elected President; Mr. Waite became Treasurer and Librarian; and Mr. T. H. Halsall was the first Secretary. On second thoughts he found that he could not spare the necessary time, and two days later he was succeeded by J. W. Riley (“De Meglio”), a well-known performer who managed Wiles’ conjuring department and entertainment bureau for many years.
Among those present was a young man named Ronald Bumby, who became President in 1967 and is still happily with us in 1977.
Business being concluded, there was an impromptu entertainment. The first trick, Diminishing and Vanishing Cards, was shown by dear old Arthur Buckle, a well-loved member who became President in 1947 and remained active until his death in 1954; another performer was Mr. Halsall, President from 1936 to 1946, who, the report says, “proved himself to be a master of coins”.
The as yet unnamed society promised well from the start. At the next meeting probably inspired by President Panter, the title “The Order of the Magi”, a happy choice, was decided upon. The Order was fortunate in having among its members an artist and process engraver, Mr. Holmes, and a printer, Mr. Wildman; so well-designed letter-headings and programmes were readily available. During the first year several open meetings and a Ladies’ Evening were held; among the performers were Brothers Ron Bumby and Charles Meyer. A badge was designed and made, and a library was started.
The first issue of “The Magi”, the Order’s monthly journal, is dated the first of May, 1910. It consisted of two pages of duplicated typescript, and R. Mervyn Varney, a popular entertainer, was the first Editor. A few months later he was taken ill, and he died in July, 1911. Early issues mention visits from Max Sterling, Servais Le Roy, and The Great Raymond, who later became a member; meetings were held at the Deansgate Hotel, and special events at Hime and Addison’s Concert Rooms. Brother Holmes designed a printed heading for the journal; it survived unchanged until 1950 when “The Magi” attained the dignity of print. It was a year later that H. Albiston Gee entered upon his long and distinguished editorship.
To recount even a drastically condensed history of the Order over the following years would fill a sizeable volume. Some day, perhaps it can be set down. Even to list the names of those great magicians who became members and honorary officers would take up more space than we have at our present command: Nevil Maskelyne, Servais Le Roy, Max Sterling, Horace Goldin, Chris Van Bern, De Biere, Victor Farelli, Chung Ling Soo, Professor Hoffman, David Devant and Harry Houdini come to mind, while almost everyone else of note visited meetings or corresponded.
And so The Order of the Magi flourished through the years, to reach its Golden Jubilee in 1959. This important landmark in its history was celebrated fittingly by a Jubilee Banquet at the Midland Hotel, attended by civic dignitaries and followed by a notable after-dinner entertainment; a Festival of Magic at the Lesser Free Trade Hall, open to the public, which attracted large audiences for a full week; two “magicians only” events, a session of close-up table magic and a free-and-easy type of show, which were attended by visiting magicians from far and wide; and perhaps most noteworthy of all, an Exhibition of “Magic Through the Ages” at the Central Library, undoubtedly the finest display of its kind which has ever been staged anywhere in the world, which still holds two unbroken records, for total attendance and length of run.
Meeting places have changed over the years: the Order has always lacked a permanent home, though in our present Headquarters at Hulme, only a short distance from the city centre, we are fortunate in having excellent facilities. Presidents, Secretaries, Treasurers, Editors have come and gone, though with less frequency than one might expect, for the Order has been fortunate in its officers and their devotion to their duties.
Members too have come and gone, but here again we have been fortunate. The high standards which have marked the Order of the Magi since its inception in 1909 have been maintained by the recruitment of new members to fill the places of those lost to us through the advancing years. The quality and enthusiasm of some of those recruited in recent years was shown by the formation of an Action Committee, which among other innovations has brought about the publication of the book now in your hands; another fine achievement, in June 1976, was an “At Home” day, “A Day with the Magi”, held at our Headquarters. Attended by many magicians from other societies, this was an unqualified success.
The programme included a Children’s Show, two Lectures, a session of Close-Up Magic, two Exhibitions, showing the “History of the Magi” and the “History of Playing-Cards”, a Dealers’ Hall in which four magical dealers were represented, and a great Gala Show. And the noteworthy feature of the day was that every performer, each of the lecturers, all of the workers behind and before the scenes – and even one of the four dealers – was one of our own members. How many other magical societies could attempt so comprehensive an event, to so high a standard, without calling on outside assistance?
One word more: the Order of the Magi can proudly claim three records, uncommon amongst societies of any kind. We have never failed to hold a monthly meeting; we have never failed to publish our monthly journal; and we have never suffered a schism.
For 68 years, through two world wars and immense changes in the social structure, the Order has gone from strength to strength. So long as it can march confidently forward to its Centenary in the year 2009, and beyond, so long will there be Magic in Manchester.
(or the link between a group of Manchester magicians & The Sex Pistols!)
Recently, one of our members was lucky enough to be able to obtain a programme from a 1952 production by members of The Order of The Magi, entitled “Hackin’ The Hempen” (subtitled ” A Magical Fantasy”). We are still looking into the origins of such a bizarre show title, and whilst various theories have been suggested, we are keeping an open mind at this time.
The show took place at The Lesser Free Trade Hall, Manchester on Saturday 18th October 1952, just 1 year after the venue reopened after being damaged in 1940 during the Manchester Blitz.
The Free Trade Hall
Located on Peter Street, The Free Trade Hall is an important part of Manchester’s history. Built in 1853 – 1856, on the site of the Peterloo Massacre (1819), the venue would play host to many famous names over the years – Charles Dickens, Benjamin Disraeli, and Winston Churchill, and would be the permanent residence to The Hallé Orchestra.
The Lesser Free Trade Hall
The Lesser Free Trade Hall was a smaller venue, upstairs within the same building, which was to later host the Sex Pistols famous concert in 1976, that inspired many bands including the Buzzcocks, Joy Division, New Order, The Smiths, Happy Mondays and Oasis; as well as being partly responsible for Manchester’s iconic music scene, including The Hacienda, Madchester, Factory Records, and the indie scene:
The Programme and The Show…
As can been seen from the scan below, The programme, costing 3d was decorated with a lovely line drawing of a bearded wizard, dressed in mystical looking robes, surrounded by a cauldron, skull, spell books and other magical items. This drawing was in fact part of the letterhead used in the 1940’s to decorated the society’s “Magi Magazine”.
The Front Inside Cover
Centre Pages – The Show
The centre pages detail the order of the evening’s show, and the performers. It appears that the show’s premise was a “History of Magic & Entertainment” starting with Zoroaster, moving through the Magic of Egypt (The Temple of Osiris), Alchemy, Punch & Judy performed by The Order of The Magi’s President Fred A. Taylor – “The Swazzle Man”, and 19th Century Music Hall. The first half of the show was closed by no other than Magical Legend Ken Brooke.
It is interesting to see that the show’s interval lasted only 5 minutes. Today, even in the smallest of venues, it is impossible to imagine that an interval would last any less than 15 minutes. Was the director being optimistic, or are modern day audiences more demanding of a longer break?
The second half of the “Magical Fantasy” is dedicated to up to date, and futuristic Cabaret. We can only assume that Tommy Hill “The Ballunatic” was a balloon modeller, and that Jack Shepherd & Syd Walton performed in drag as “The Widdingtons” – “Two minds with not a single thought!”; no doubt a parody of the famous contemporary Australian Telepathy duo “The Piddingtons”.
The penultimate part of the evening was Frank Cleaver’s “Flying Saucer” subtitled “Magic of the Future”. It would certainly be interesting to see if he had indeed predicted the future of magic!
After over 2 hours of magical entertainment, the show was to close with a Finale of the entire company, followed by “The Queen” – The National Anthem – a tradition that has died in most theatrical productions in the past 60 years.
This is the only online record of The Order Of The Magi’s production “Hackin’ The Hempen” from 1952. So it seems fitting that we include a full list of all the cast, the majority of whom would have been members of the only Magic Society in Manchester. Perhaps it will help anyone in the future researching any of the magicians, either for personal or professional reasons:
Frank G. Brown – Zoroaster
Reginald Boncey – The Inebriate
Stella Sweet – The Dancer
Len Ainsworth – The High Priest of Os-Ra
Syd Taylor – An Acolyte
Harold Swindells – The Alchemist
Fred A. Taylor – The Swazzle Man (President of The Order of The Magi at the time)
Douglas Ettenfield – The Man
Joyce – The Maid
Edgar Horner – Chairman
Dennis Birch, Stephen Birch and Pat Birch – The Birch Brothers – The Singing Waiters
Leslie Greenhalgh – The Man With The Hat
Arthur Horner – The Pianist
Ken Brooke – The Professor
Tommy Hill – The Balunatic
Jack Shepherd – Vera Widdington
Syd Walton – Gladys Widdington
Oscar Paulson – Tricks & Chatter
Frank G. Clever – Magic of The Future (The Flying Saucer)
Of course, a programme for a such a magical performance wouldn’t be complete without credit to those behind the scenes who helped to put it all together.
Production – Will Hughes
Properties – Mal Davies
Electrician – H. Macartney
Stage Managers – George Wade & Norman Crook
Effects and Music – Geoff Lawrence
Show Devised & Arranged by Will Hughes, Syd Taylor and Harold Swindells
The Order of The Magi desires to express its appreciation of the invaluable help rendered by the following –
Miss Stella Sweet
Mr. Frank G. Brown
The Birch Brothers – (Dennis, Stephen and Pat)
The Staff of The Free Trade Hall
Mameloks of Oxford Road for the loan of musical items
O. Z. Seferian for ticket work
The Inside Back Cover
The last page of the programme gives us a clue as to the length of the performance, declaring “Carriages at 9.45pm approx”.
Reading and researching this programme has been an opportunity to learn a little more about The Free Trade Hall in Manchester, The Order of The Magi, it’s members, and activities nearly 70 years ago. Without currently having any more information about each act, it is an opportunity to imagine what magic tricks were performed that night in Manchester City Centre, and if a similar show was to be performed today with the same programme, how each act might differ. There will be more information on the show in at least one issue of The Order of The Magi’s society magazine “The Magi” from 1952, and hopefully soon we will be able to provide you with more details.
There is no doubt however, that any of the performers on Tuesday 18th October, 1952 could imagine that the stage they were performing on would be host to one of the world’s greatest punk bands just 24 years later.
Can You Help with our Research?
It would be great to hear from anyone related to any of the magicians, or other performers, who took part in “Hackin’ The Hempen”. We would love to see photos of the performers (especially any promotional material etc). Perhaps you have an 1952 issue of The Magi Magazine that details the planning of the show, or features a report of each act’s performance?
If you can help us in our research in any way, please get in touch – email@example.com