The article below, written by the Order of the Magi’s past editor Bayard Grimshaw, has been reproduced from “Magi Magoria” published by Supreme Magic in 1974, and covers a very brief history of Magic in Manchester and of course the Order of the Magi – one of the oldest societies for performing magicians in the world, up until the publication date.
Perhaps, one day, our current members could put together a further article dealing with the history of Magic in Manchester from 1974 to the present date…
MAGIC IN MANCHESTER
(Not just we Magi but also)
Understandably, the origins of Magic are obscure and a matter for speculation. We may assume that among our remote ancestors, as far back as the beginnings of community life, there came to the fore the “wise men”, those whose special knowledge of natural principles enabled them to keep a step ahead of the rest and to astound their fellows by their ability to bring about strange and awe-inspiring results. They would use their power for the common good, or for personal prestige, and perhaps – who knows ? – to amuse and entertain, too.
The first written record of a magical performance as we understand the term today was contained In the Westcar Papyrus, the present whereabouts of which are in doubt: it described a display of Magic given by one Dedi, at the court of King Cheops in Egypt nearly six thousand years ago. Of the precise achievements of the Magi of the Ancient East we know little, though their reputation as wonder-workers has come down to us over the years, and inspired the title of the Order of the Magi.
Of Magic as entertainment during the centuries of the Greek and Roman civilisations we have ample evidence. A Greek writer of the third century has left us a detailed description of a performance of the sleight-of-hand feat known as the Cups and Balls, which, he wrote, “rendered me almost speechless and made me gape with surprise”; the routine he described might pass for one of the present day. Seneca, the great Roman philosopher, wrote of the same feat, and sensibly, wise man that he was, added: “If I get to know how a trick is done, I lose my interest in it”. In those days it was done with round white pebbles and wine-cups, and it was from the name of the latter that the performer came to be known by the Romans as an “acetabularius”.
So it is plausible to assume that the soldiers who garrisoned the Roman fort of Mamucium on the banks of the Irwell may well have been entertained, at times when the rude Brigantes ceased from troubling, by gifted comrades or by itinerant acetabularii. To their days, the first century A.D., we can ascribe the probable beginnings of Magic in Manchester.
As a centre of trade the city must have attracted, especially on market days, many of the travelling “jugglers” who made their way from town to town from the eighth to the sixteenth centuries. Probably such performers as Banks and Richardson in the seventeenth century, and Fawkes, Pinchbeck, Yeates, Comus and Jonas in the early eighteenth, visited Manchester, for they are known to have toured the provinces. Breslaw, the German who achieved such success in England, certainly appeared here several times between 1773 and 1782; so, almost certainly, did Katterfelto and probably too the illustrious Pinetti.
By the time we come to the nineteenth century we have more precise information. Ingleby visited Manchester in 1808; Philippe (Talon) in 1839, Dobler in 1842; the famed Anderson, the “Wizard of the North,” in 1838-39 and again in 1841; Jacobs in 1850 and probably earlier, between 1834 and 1838; while Buck had a “record run” of a hundred consecutive nights in Manchester in 1851. The first Bosco was here about 1857, and Frikell in 1858.
But one instance of Magic in Manchester, looking back a century or so, stands out above the rest: that visit of Robert-Houdin, “father of modern magic”, to the Theatre Royal in 1848. An original playbill, announcing the event, is a treasured possession of the Order of the Magi, and is handed into the care of each new President on the occasion of his installation. “The theatre in this city is immense”, wrote Robert-Houdin in his Memoirs: “It can hold an entire people … Twelve hundred spectators scarcely filled the pit”. And he goes on to devote seven pages to an account of his successful first night.
And so we come to the years of the great illusionists, all of whom visited Manchester on many occasions and attracted huge audiences to the numerous theatres of the city and its surrounding districts. Manchester was not only a stronghold of entertainment but a place of theatrical stores and workshops, the centre of the great Broadhead Tour; it was said that one could lodge in Rumford Street or Brunswick Street and do a year’s work on the halls, travelling back to one’s “digs” each night by tramcar.
The latter years of the last century, and the first decades of the present, were a golden age of Magic; the art, ever popular with the entertainment-loving public, flourished as never before. Most variety bills had their magician, be he merely a front-cloth act with no more of a repertoire than a few card sleights; but the princes of the profession were those who toured a full show, with their lavish publicity and their own scenery, their regiments of well-trained assistants, their floating ladies and their vanishing ladies and their incredible productions and transpositions.
Hartz, Servais Le Roy, Rameses; Devant, Carl Hertz, De Biere, Lingha Singh; Lafayette, Chung Ling Soo, Houdini, Goldin, The Great Carmo – their names spelt glamour and mystery. Their interviews appeared in the press, articles about them in the weekly and monthly magazines. Their advent to a local theatre, heralded by intriguing posters on the hoardings, aroused delicious anticipation: one could hardly wait for the week to come. And their mysteries provided ample material for speculation and discussion for weeks afterwards.
We must not forget that alongside of these “greats” flourished the lesser lights of the concert and the children’s party, the ladies’ evening, the soiree and the conversazione. Such were the majority of the founders and early members of the Order of the Magi. They basked in the limelight touched off by their more famous elder brethren, they were in great demand and their date books were full.
Came the time when the variety theatres reeled under the successive blows of the silent cinema and the “talkies”, radio and eventually television; when recording “stars” topped the bills in the larger of what few Hippodromes and Palaces survived, “strip” shows the smaller, leaving scant space for the stage magician. For a while Dante, Kalanag, Lyle, Murray, Levante and a few more tried to keep alive the tradition of the big magical show in this country. But in the end it was largely left to the magical societies to keep Magic alive.
At the turn of the century magicians from all over the world, and local magicians in particular, amateur and professional, little-known and well known, used to foregather on Sunday afternoons and evenings at the home of Harry Whiteley at 86 Medlock Street. Mr. Whiteley, performer, author and magical dealer, had countless friends in Magic; he was British correspondent of ‘The Sphinx’, the great American magical monthly. Famous illusionists, touring the provinces, would when possible break their journeys in Manchester in order to spend an hour or two at Harry Whiteley’s; others, working within travelling distance, would come over just for the pleasure of spending a short time with kindred spirits.
Such a one was Chung Ling Soo (W.E. Robinson). Believed by all save those in the know to be genuinely Chinese, he was actually born in America, of Scottish ancestry; but he seemed to have a special affection for Manchester, where he had many friends, and for many years he had a store and workshop at Bolton, where his colleague Ritherdon designed and made much of his elaborate apparatus and scenery.
These informal gatherings led to the formation of an equally informal society, “The Friends of Magic;” Soo was the President. Though this association did not directly lead to the formation of the Order of the Magi, it no doubt had an indirect influence, and it was, as far as we know, the first banding together of magicians in the Manchester area.
It was probably at Harry Whiteley’s house that G. W. Panter, M. A. , a keen student of magic a member of the recently formed Magic Circle, met fellow conjurors and, realising their strength, saw the desirability of forming in Manchester a more formally constituted society. At first he consulted with the Council of the Magic Circle, with a view to instituting a northern branch of that body; this was found, for several reasons, to be impracticable. And so, emboldened by news of the success of two magical societies in the U.S.A. , the Society of American Magicians and the Detroit Circle, and two in England, the British Magical Society in Birmingham and the Northern Magical Society – now long defunct – in Liverpool, as well as the Magic Circle itself, Mr. Panter embarked upon the formation of a new society altogether.
An advertisement was placed in the local papers, and a notice displayed in Waite’s magic-shop-cum-barber’s in Peter Street near to the old Tivoli Theatre, inviting those interested to meet on the 11th March, 1909, at the Cities Hotel, Deansgate. About thirty conjurors attended; support was assured, and with enthusiasm the new Society was duly formed. Mr. Panter was elected President; Mr. Waite became Treasurer and Librarian; and Mr. T. H. Halsall was the first Secretary. On second thoughts he found that he could not spare the necessary time, and two days later he was succeeded by J. W. Riley (“De Meglio”), a well-known performer who managed Wiles’ conjuring department and entertainment bureau for many years.
Among those present was a young man named Ronald Bumby, who became President in 1967 and is still happily with us in 1977.
Business being concluded, there was an impromptu entertainment. The first trick, Diminishing and Vanishing Cards, was shown by dear old Arthur Buckle, a well-loved member who became President in 1947 and remained active until his death in 1954; another performer was Mr. Halsall, President from 1936 to 1946, who, the report says, “proved himself to be a master of coins”.
The as yet unnamed society promised well from the start. At the next meeting probably inspired by President Panter, the title “The Order of the Magi”, a happy choice, was decided upon. The Order was fortunate in having among its members an artist and process engraver, Mr. Holmes, and a printer, Mr. Wildman; so well-designed letter-headings and programmes were readily available. During the first year several open meetings and a Ladies’ Evening were held; among the performers were Brothers Ron Bumby and Charles Meyer. A badge was designed and made, and a library was started.
The first issue of “The Magi”, the Order’s monthly journal, is dated the first of May, 1910. It consisted of two pages of duplicated typescript, and R. Mervyn Varney, a popular entertainer, was the first Editor. A few months later he was taken ill, and he died in July, 1911. Early issues mention visits from Max Sterling, Servais Le Roy, and The Great Raymond, who later became a member; meetings were held at the Deansgate Hotel, and special events at Hime and Addison’s Concert Rooms. Brother Holmes designed a printed heading for the journal; it survived unchanged until 1950 when “The Magi” attained the dignity of print. It was a year later that H. Albiston Gee entered upon his long and distinguished editorship.
To recount even a drastically condensed history of the Order over the following years would fill a sizeable volume. Some day, perhaps it can be set down. Even to list the names of those great magicians who became members and honorary officers would take up more space than we have at our present command: Nevil Maskelyne, Servais Le Roy, Max Sterling, Horace Goldin, Chris Van Bern, De Biere, Victor Farelli, Chung Ling Soo, Professor Hoffman, David Devant and Harry Houdini come to mind, while almost everyone else of note visited meetings or corresponded.
And so The Order of the Magi flourished through the years, to reach its Golden Jubilee in 1959. This important landmark in its history was celebrated fittingly by a Jubilee Banquet at the Midland Hotel, attended by civic dignitaries and followed by a notable after-dinner entertainment; a Festival of Magic at the Lesser Free Trade Hall, open to the public, which attracted large audiences for a full week; two “magicians only” events, a session of close-up table magic and a free-and-easy type of show, which were attended by visiting magicians from far and wide; and perhaps most noteworthy of all, an Exhibition of “Magic Through the Ages” at the Central Library, undoubtedly the finest display of its kind which has ever been staged anywhere in the world, which still holds two unbroken records, for total attendance and length of run.
Meeting places have changed over the years: the Order has always lacked a permanent home, though in our present Headquarters at Hulme, only a short distance from the city centre, we are fortunate in having excellent facilities. Presidents, Secretaries, Treasurers, Editors have come and gone, though with less frequency than one might expect, for the Order has been fortunate in its officers and their devotion to their duties.
Members too have come and gone, but here again we have been fortunate. The high standards which have marked the Order of the Magi since its inception in 1909 have been maintained by the recruitment of new members to fill the places of those lost to us through the advancing years. The quality and enthusiasm of some of those recruited in recent years was shown by the formation of an Action Committee, which among other innovations has brought about the publication of the book now in your hands; another fine achievement, in June 1976, was an “At Home” day, “A Day with the Magi”, held at our Headquarters. Attended by many magicians from other societies, this was an unqualified success.
The programme included a Children’s Show, two Lectures, a session of Close-Up Magic, two Exhibitions, showing the “History of the Magi” and the “History of Playing-Cards”, a Dealers’ Hall in which four magical dealers were represented, and a great Gala Show. And the noteworthy feature of the day was that every performer, each of the lecturers, all of the workers behind and before the scenes – and even one of the four dealers – was one of our own members. How many other magical societies could attempt so comprehensive an event, to so high a standard, without calling on outside assistance?
One word more: the Order of the Magi can proudly claim three records, uncommon amongst societies of any kind. We have never failed to hold a monthly meeting; we have never failed to publish our monthly journal; and we have never suffered a schism.
For 68 years, through two world wars and immense changes in the social structure, the Order has gone from strength to strength. So long as it can march confidently forward to its Centenary in the year 2009, and beyond, so long will there be Magic in Manchester.
For 100 years, magicians’ assistants have been feeling a little “saw”!
Sunday 17th January 2021 was the centenary of possibly the most famous magical illusion of all – Sawing a Lady in Half.
First performed in public in 1921 – just 12 years after the founding of The Order of The Magi, by P.T. Selbit at Finsbury Park Empire theatre in London, the illusion has since been adapted countless times.
Some magical historians have suggested that the illusion is much older than PT Selbit’s performance, citing the famous French magician Jean-Eugène Robert-Houdin’s Memoirs, written in 1858, where he described a sawing illusion performed by a magician named Torrini. However this description of the illusion is sometimes considered to be a piece of fictional writing.
Blackpool Magic Convention is just a few days away now, and many members from The order of The Magi will be travelling from Manchester to Blackpool to enjoy the packed schedule of shows, lectures, and more that is on offer at the world’s biggest magic convention.
Every February, 4,000+ magicians descend on “The Vegas of The North” for a long weekend of magical fun at The Winter Gardens. With three days of wizardry, plus an auction of magic tricks and books, it is the event of the year for magicians.
So what are our top tips for Blackpool Magic Convention?
Wrap up warm, and wear comfy shoes!
Blackpool is in the north of England, and is a seaside resort. It’s likely to be cold, and windy. Whilst all the activities this year take place inside the Winter Gardens, the chances are you won’t be sleeping there, and you will be on your feet for quite some time over the weekend. Take a warm jacket / coat (preferably waterproof) and wear shoes that are comfortable.
Plan your Schedule!
There is so much going on over the weekend, that you are likely to be spoilt for choice. And it would be impossible for the organisers to arrange a schedule that allows everyone to see everything throughout the weekend. We estimate that the convention would need to be on for at least 7 days, to make this possible!
Thankfully the organisers have released a free smartphone app, with a full schedule of the shows, lectures, and more, so you can plan your weekend in advance. It is worthwhile checking out the lists of activities, and if you are not sure whether a lecture or show is going to be “your thing” you can always check out the long list of artistes in the app.
It doesn’t finish when the Winter Gardens Shuts…
Whilst the events stat at around 9am and go on throughout the day until midnight or later, there is always more magic to be found. Many magicians meet up each night in the bar of their B&Bs to chat about the day, show each other tricks, and socialise.
However, there is one place that is famous for Magic in Blackpool during the weekend of the convention – The Ruskin Hotel – where hundreds, possibly thousands of magicians will gather after the convention finishes, to enjoy several more hours of magic, mentalism and the occasional beer! Be warned – it will be extremely busy, but it is worth the visit.
Don’t forget to Eat & Sleep!
We don’t want to sound like your parents, but…
It’s a long weekend with lots of beer flowing, and some very late nights. Whilst you might want to try and be the last person in the hotel bar at 6am, don’t forget that you will need some sleep… and food. It would be a shame to miss a day of the convention because you are catching up on sleep after a very wild night.
Similarly, you aren’t going to get the most out of the weekend if you don’t eat. Thankfully Blackpool has plenty of cafes, restaurants, takeaways, and pasty shops, catering for almost everyone.
Take your Time in the Dealers Hall
We’ve all done it! Wandered around the 150+ magic dealers, and bought something on impulse, only to regret it almost straight afterwards. The dealers are there for the full three days, and most will have plenty of stock with them. Walk around, have a look, watch the demos, and ask questions. Just because you have watched a dealer demonstrate a magic trick, don’t feel that you should have to buy it immediately.
Take some time to consider if you will really use that trick; If it is suitable for you, and your act; or if it will end up in that drawer of unused props. Talk to other magicians and get their advice, and even check out reviews of the effect on sites like The Magic Cafe.
Dealers know that many magicians won’t buy a magic trick until they have walked around the dealers hall at least once. Some magicians won’t buy anything until the Sunday afternoon.
Waiting until Sunday can be a gamble though – sometimes effects that have been advertised as “limited quantity” might sell out early on at the convention. But the flip side is that one or two dealers will reduce their prices on certain items on the Sunday afternoon, just to save them taking stock back with them.
And don’t forget that the dealers are situated around the convention – including the Horseshoe, and Balcony!
Don’t forget your Photo ID!
The organisers of Blackpool Magic Convention are insisting that anyone with a pre-booked ticket presents photo ID on arrival. According to their (very useful) Facebook page, Driving Licences, Passports, Bus Passes, and Work IDs are all acceptable, as long as the name on the ID matches the name on the ticket. This of course might cause issues for those who booked their tickets using their stage names without thought.
Leave the Fire Wallet in your Pocket!
Yes, it’s a magic convention. Yes, it’s a weekend of fun. Yes, we all get excited about Blackpool…
But the poor bar maid who is trying to serve 50+ magicians at the bar is really not going to be impressed when a wallet bursts into flames as a magician pays for their beer! The chances are, she, and every other barstaff in the town will be subjected to fire wallets at least 100 times every day!
Save them the pain, and let them get on with serving someone else who is desperate for a drink.
You know who would like to see a trick? Other magicians…
No matter what your level of experience, don’t be afraid to watch other magicians perform at the convention, and elsewhere, and to show a favourite trick or two of your own. Bar Staff, and Hotel Receptionists might not appreciate lots of magic (but if they ask to see a trick, feel free!), but your fellow magicians will.
You can learn something from any lecture
A big part of the convention is the wide range of lectures that have been arranged. If you find yourself with some spare time, go and see an extra lecture – even if it is about an area of magic that you wouldn’t usually focus on. There is always something you can learn from the masters of their craft.
And whilst we are on the subject of lectures… please don’t sit through a lecture riffling playing cards or messing about on your phone. It can be distracting for others!
Stuff to pack that you might not have thought about
No doubt you’ve already considered taking the usual things – clothes, wash kit, mobile phone, wallet, cash card etc. Here a a few items you might not have considered yet…
- Pain Killers (for the morning after a night in the Ruskin)
- Bottled Water (great for the hotel room)
- Pot Noodles (again, a great addition to the hotel room when you realise you haven’t eaten all day, and it is 3am)
- Phone Power Bank (is your phone’s battery really going to last all day?)
- Hand Sanitizer
- Throat Sweets & Mints
- An Extra Pack of Cards
- Quality Toilet Roll (a must when travelling for our webmaster!)
- Pen & Paper (for making notes at magic lectures, jotting down items you’ve seen in the dealers hall etc)
Enjoy The Magic of Blackpool
It is a long weekend, with lots going on… and if this is your first time going to Blackpool Magic Convention, you are going to love it!
Enjoy the magic!
And if you see a member of The Order of The Magi, say hello!
(or the link between a group of Manchester magicians & The Sex Pistols!)
Recently, one of our members was lucky enough to be able to obtain a programme from a 1952 production by members of The Order of The Magi, entitled “Hackin’ The Hempen” (subtitled ” A Magical Fantasy”). We are still looking into the origins of such a bizarre show title, and whilst various theories have been suggested, we are keeping an open mind at this time.
The show took place at The Lesser Free Trade Hall, Manchester on Saturday 18th October 1952, just 1 year after the venue reopened after being damaged in 1940 during the Manchester Blitz.
The Free Trade Hall
Located on Peter Street, The Free Trade Hall is an important part of Manchester’s history. Built in 1853 – 1856, on the site of the Peterloo Massacre (1819), the venue would play host to many famous names over the years – Charles Dickens, Benjamin Disraeli, and Winston Churchill, and would be the permanent residence to The Hallé Orchestra.
The Lesser Free Trade Hall
The Lesser Free Trade Hall was a smaller venue, upstairs within the same building, which was to later host the Sex Pistols famous concert in 1976, that inspired many bands including the Buzzcocks, Joy Division, New Order, The Smiths, Happy Mondays and Oasis; as well as being partly responsible for Manchester’s iconic music scene, including The Hacienda, Madchester, Factory Records, and the indie scene:
The Programme and The Show…
As can been seen from the scan below, The programme, costing 3d was decorated with a lovely line drawing of a bearded wizard, dressed in mystical looking robes, surrounded by a cauldron, skull, spell books and other magical items. This drawing was in fact part of the letterhead used in the 1940’s to decorated the society’s “Magi Magazine”.
The Front Inside Cover
Centre Pages – The Show
The centre pages detail the order of the evening’s show, and the performers. It appears that the show’s premise was a “History of Magic & Entertainment” starting with Zoroaster, moving through the Magic of Egypt (The Temple of Osiris), Alchemy, Punch & Judy performed by The Order of The Magi’s President Fred A. Taylor – “The Swazzle Man”, and 19th Century Music Hall. The first half of the show was closed by no other than Magical Legend Ken Brooke.
It is interesting to see that the show’s interval lasted only 5 minutes. Today, even in the smallest of venues, it is impossible to imagine that an interval would last any less than 15 minutes. Was the director being optimistic, or are modern day audiences more demanding of a longer break?
The second half of the “Magical Fantasy” is dedicated to up to date, and futuristic Cabaret. We can only assume that Tommy Hill “The Ballunatic” was a balloon modeller, and that Jack Shepherd & Syd Walton performed in drag as “The Widdingtons” – “Two minds with not a single thought!”; no doubt a parody of the famous contemporary Australian Telepathy duo “The Piddingtons”.
The penultimate part of the evening was Frank Cleaver’s “Flying Saucer” subtitled “Magic of the Future”. It would certainly be interesting to see if he had indeed predicted the future of magic!
After over 2 hours of magical entertainment, the show was to close with a Finale of the entire company, followed by “The Queen” – The National Anthem – a tradition that has died in most theatrical productions in the past 60 years.
This is the only online record of The Order Of The Magi’s production “Hackin’ The Hempen” from 1952. So it seems fitting that we include a full list of all the cast, the majority of whom would have been members of the only Magic Society in Manchester. Perhaps it will help anyone in the future researching any of the magicians, either for personal or professional reasons:
Frank G. Brown – Zoroaster
Reginald Boncey – The Inebriate
Stella Sweet – The Dancer
Len Ainsworth – The High Priest of Os-Ra
Syd Taylor – An Acolyte
Harold Swindells – The Alchemist
Fred A. Taylor – The Swazzle Man (President of The Order of The Magi at the time)
Douglas Ettenfield – The Man
Joyce – The Maid
Edgar Horner – Chairman
Dennis Birch, Stephen Birch and Pat Birch – The Birch Brothers – The Singing Waiters
Leslie Greenhalgh – The Man With The Hat
Arthur Horner – The Pianist
Ken Brooke – The Professor
Tommy Hill – The Balunatic
Jack Shepherd – Vera Widdington
Syd Walton – Gladys Widdington
Oscar Paulson – Tricks & Chatter
Frank G. Clever – Magic of The Future (The Flying Saucer)
Of course, a programme for a such a magical performance wouldn’t be complete without credit to those behind the scenes who helped to put it all together.
Production – Will Hughes
Properties – Mal Davies
Electrician – H. Macartney
Stage Managers – George Wade & Norman Crook
Effects and Music – Geoff Lawrence
Show Devised & Arranged by Will Hughes, Syd Taylor and Harold Swindells
The Order of The Magi desires to express its appreciation of the invaluable help rendered by the following –
Miss Stella Sweet
Mr. Frank G. Brown
The Birch Brothers – (Dennis, Stephen and Pat)
The Staff of The Free Trade Hall
Mameloks of Oxford Road for the loan of musical items
O. Z. Seferian for ticket work
The Inside Back Cover
The last page of the programme gives us a clue as to the length of the performance, declaring “Carriages at 9.45pm approx”.
Reading and researching this programme has been an opportunity to learn a little more about The Free Trade Hall in Manchester, The Order of The Magi, it’s members, and activities nearly 70 years ago. Without currently having any more information about each act, it is an opportunity to imagine what magic tricks were performed that night in Manchester City Centre, and if a similar show was to be performed today with the same programme, how each act might differ. There will be more information on the show in at least one issue of The Order of The Magi’s society magazine “The Magi” from 1952, and hopefully soon we will be able to provide you with more details.
There is no doubt however, that any of the performers on Tuesday 18th October, 1952 could imagine that the stage they were performing on would be host to one of the world’s greatest punk bands just 24 years later.
Can You Help with our Research?
It would be great to hear from anyone related to any of the magicians, or other performers, who took part in “Hackin’ The Hempen”. We would love to see photos of the performers (especially any promotional material etc). Perhaps you have an 1952 issue of The Magi Magazine that details the planning of the show, or features a report of each act’s performance?
If you can help us in our research in any way, please get in touch – email@example.com
Unsurprisingly, after 110 years, our archives hold many interesting items, many of which have a great historical value to magicians, that may have been long forgotten, if it wasn’t for the foresight of the committee to save them.
Several documents within the collection refer to the forming of an affiliation between various Magic Societies in the U.K. (and around the world) with one of the most famous magic clubs – The Magic Circle.
The affiliation was active between 1921 and 1944, before becoming The National Association of Magical Societies (N.A.M.S).
Five years after the formation of N.A.M.S. The Order of The Magi hosted a weekend-long event in Manchester, for representatives of other Magic Societies consisting of Dinner, Committee Meeting, Shows etc.
In 1949, the National Association of Magical Societies included the following clubs as members:
In “A Message from the Chairman of the Committee of Management” at the back of the N.A.M.S. Souvenir Programme, Robert Edmanson wrote:
On 7th June, 1952, Magic Magazine “Abra” reported that The National Association of Magical Societies was to be liquidated, with the remaining funds to be distributed amongst the thirty six member societies.
Further Images from the Souvenir Programme of March 12 – 13th 1949:
An amateur magician accidentally turns his wife into a sofa and his two kids into armchairs. He starts to panic.
He tries every trick in the book but none work so, in desperation, he decides to take them to hospital. Once at the hospital, the magician spends a sleepless night while the medical staff run numerous tests on the unfortunate woman and children.
Finally, the head doctor comes out into the corridor to speak to the magician. “How are my family?” he asks worriedly, “Are they alright?”
The doctor replies, “they’re comfortable…”
The Order of The Magi is one of the oldest magical societies in the U.K. and has an extensive archive of historical documents dating back to the establishment of the society in 1909.
Here is a article published in “Wizard Magazine” about inaugural meeting of The Order of The Magi just 1 month after it’s founding:
A Manchester Magical Society
A month ago Mr. G.W. Panter, M.A. (Member of Inner Magic Circle) conceived the idea of forming a Magical Society for Manchester and district.
With this end in view, he arranged with Mr. Waite, magic dealer, of Peter Street, Manchester, to display a notice asking all those willing to join to give in their names.
As a result of this, on the 11th inst. a most enthusiastic meeting was held at the “Cities Hotel,” Deansgate, Manchester, at which about 30 conjurers attended.
It was decided to form a Magical Society, and Mr. G.W. Panter, M.A. was unanimously elected President, Mr. Waite, Hon. Treasurer and Librarian, and Mr. T.H. Halsall, Junr., Hon Sec. (pro tem.).
Mr. Panter spoke about the objects of a magical society, and referred to the success of the British Magical Society, and the Magic Circle; he also read a very interesting letter which he had received from Mr. Fred Walker (Hon. Sec. of the B.M.S.), wishing the new society every success.
Mr. T.H Halsall, Junr, (Hon. Sec.) also read several letters from conjurers anxious to join., but, owing to engagements, unable to attend the meeting.
Speeches were given by Mr. Fredrick W. Collins, Mr. L.M. Varney, Mr. Waite, Mr. Thomas French, Mr. Wildman, Mr. Ritherdon, Mr. J.W. Riley, and others, who all spoke as to the advisability of working together.
Business being suspended, Mr. A. Buckle obliged with a few card tricks, introducing a very pleasing and novel effect by fanning a quantity of cards and making them grow smaller, and finally disappear, bringing them back again to their original position, electing a round of applause for this clever sleight.
Mr J.W. Riley then being called upon gave a monologue, entitled “Oh Memory” in which the speech and mannerisms of an old man were portrayed to the letter.
Mr. Sugden then gave a recital from “The Merchant of Venice,” the rendering of which proved him to be a talented artist.
Mr. E. Wilburt gave the passing of 12 cards from hand to pocket, which as an example of Digital Dexterity left nothing to be desired.
Mr. T.H. Halsall Junr., then presented the passing of coins from left hand to tumbler held in right hand; he proved himself to be a master of coins, and Mr. Whitehead showed no mean ability with cards in the Four Ace Trick.
A few of those present gave their experiences with children in the course of entertaining, which were very amusing.
A meeting of the Council was arranged for the 13th inst., at which Mr Halsall, on account of business, wished to resign the secretaryship, and Mr. J.W. Riley, being asked to take the position (subject to the sanction of the members) decided to accept.
Anyone interested in magic residing in Manchester district, and wishing to join the society, are kindly requested to send in their names to the Hon. Sec., J.W. Riley, De Mcglio, Eccles, Manchester
Few professional magicians in the U.K. can deny that they have heard of “The Supreme Magic Company”. It is doubtful there are more than a handful of those who grew up reading the company magazine “The Magigram” or carefully reading through the thousands of effects for sale in their extensive catalogues, that haven’t heard of Edwin Hooper – founder of The Supreme Magic Company, and inventor of many tricks.
One of Edwin and Supreme’s most iconic magical effects had to be “The Rainbow House”. There couldn’t have been many Children’s Entertainers who didn’t own, or long to own this fantastic “mini-illusion”.
For those who don’t know the trick, whilst presentations would vary, the effect went along these lines. The performer would display a large model of a white house with black line details. A sort of 3D version of the illustrations found in colouring books.
This would then be placed inside a square tube bearing a colourful rainbow motif. Then the magician would use his favourite colouring routine by-play. Perhaps using a number of coloured silks which when placed into a bag would magically turn white, or one of the various other colour effects sold by Supreme.
Eventually the tube would be lifted to reveal that the model house was now brightly painted!
If this wasn’t magical enough, it was then time to find out who lived in such a small house. On lifting the house, a live rabbit would be shown to have appeared!
All in all it was a fantastic effect, and a great show closer for many magicians around the country. But why are we sharing this today?
It has come to light recently that Edwin Hooper first discussed his ideas for The Rainbow House at a magic lecture in Manchester for Order of The Magi in 1984, as mentioned in this website’s text. I wonder if on that evening, 35 years ago, he (or any of the magicians who attended) had any idea how popular and iconic the trick would become?
As entertainers, we (hopefully) bring a little joy and happiness to our audience. On the night of Tuesday 22nd May, the heart-breaking news began to break of the terrorism attack at The Manchester Arena after the Ariana Grande concert. I myself had just returned home from what seemed to be a particularly tough gig, but suddenly everything was put into perspective. The feelings of joy and happiness experienced by thousands at Manchester Arena would suddenly be replaced with feelings of fear, worry, terror and tragedy.
At least 22 people went out for a night of entertainment but sadly would never return home. Many more were injured, and thousands of concert goers, the majority of whom were children and teenagers, will never forget the horrific events of that night. It is hard to imagine the effect that night had on the brave staff at the venue who stayed to help, the emergency services who had to deal with the aftermath, and the hospital staff who treated the victims. Ariana tweeted that she was “broken from the bottom of my heart, I am so, so sorry. I don’t have words.” and has announced that she was to postpone the rest of her tour. She and her team of fellow entertainers and crew must be totally devastated that a wonderful night, sharing their talents of music and entertainment, ended so tragically. Finally, many of our members will have family or friends who work at The Arena, or who were affected by the terrible incident. I sincerely hope all are safe and well.
Given everything that happened, it was an extremely difficult decision whether to hold a meeting of The Order of The Magi in Manchester less than 24 hours later. Should we cancel the meeting or carry on in spite of the events the night before? Manchester Comedy Store cancelled a benefit show for fellow comedian Jim Taveré saying that “As much as we feel that people should carry on as normal we’re not sure that today is a good day for comedy”. This was an understandable sentiment in the circumstances.
The decision to hold society meeting certainly wasn’t made lightly, but I personally believe that the right decision was made. In this context, the saying “the show must go on” seems rather flippant, but perhaps it goes just a little way to express the spirit of the people of Manchester, those working in Show Business, and our members. To those who came to Geoff’s excellent lecture, thank you for your support. To those who didn’t (or couldn’t) attend the meeting for whatever reasons, it is of course very understandable. Each of us has to make a decision based on our own personal circumstances, feelings and beliefs.
At times such as these it’s important that we, as entertainers, keep entertaining; bringing a smile to those around us, a little joy and happiness. A world without entertainment would certainly be a terrible place. It can’t undo the terrible events of that night, but perhaps you can change the future, in a small, positive way. The world always needs a little magic!
“Believe something and the Universe is on its way to being change, because you’ve changed, by believing. Once you’ve changed, other things start to follow. Isn’t that the way it works?”
– Diane Duane, So You Want to Be a Wizard
Stay Safe & Keep Entertaining
I am sure, like me, many of you will be familiar with this expression without knowing the real significance. It was only on a Classic Greece holiday that I found out just how many words we use every day in the English language actually have Greek origins.
Here are a few examples.
- Antiqua – antique, antiquity, ancient.
- Biblos – book, bible.
- Cosmos – (world) cosmopolitan.
- Dynamis – (power) dynamite, dynasty.
The list goes on, so what has all this to do with magic you are surely already asking. Well now having an interest in the subject I started to look up words relating to our art and found some interesting results.
The first word that came to mind was morph(e) meaning shape or transforming bringing about metamorphosis – the substitution trunk.
Scopos means watcher and leads to horoscope cinemascope etc (oops! etc that’s Latin).
Pyr or pyro means fire, hence pyrotechnics.
In Greek mythology the name Luna is sometimes used as a nickname for any goddess associated with the moon. Remember the Luna Trick – children’s effect a la die box.
I could go on but I feel our website will not have space for more than a page so I’ll finish with a few words from the entertainment world generally.
Cine means motion so we have cinema. The theatre name of Adelphi comes from Adelphoi meaning brothers. Presumably this refers to the brotherhood of actors appearing on the stage. Theatron (theatre) was a place where the audience of a Greek tragedy sat to watch the performance. Finally choreography appears to derive from khorus (chorus) and/or khoreia (dancing in unison). There you have it then, now it’s all Greek to you too!
Webmaster Note: I couldn’t leave this post without adding a favourite of mine – Hippodrome, from the Greek word Hippos – for Horse (and not Hippopotamus, which means “water horse”). Originally a Hippodrome was an ancient Grecian stadium for horse racing and chariot racing. The word was resurrected in Victorian and Edwardian times for buildings constructed specifically for animal & variety acts (such as the World Famous London Hippodrome, and more locally The Rochdale Hippodrome), which often became theatres in later years. Thank goodness they never raced hippopotamuses / hippopotami!
The modern word circus, now associated with entertainments such as clowns, jugglers, acrobats and magicians, originates from Roman horse racing tracks (circuits) which were very similar to Hippodromes. But as that is a Latin origin, and not Greek, it might be best to leave that for another post!